Click on any CD for more details at Amazon.com. of twentieth century jazz, Duke Ellington Learn how your comment data is processed. playing by Arvell Shaw. and Performance Time: 3:30 Contents: C-Jam Blues | Bass 9. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counterlines, and later a marvelous ensemble tutti section that starts soft then builds to the end. Fly me to the moon Bb 10. © Copyright 2018 - Learn Jazz Standards, LLC. The arrangement is yet another amazing example of Bill Holman's extraordinary arranging skills. Their solos swing like crazy, as do those by guitarist Kenny Burrell and bassist Richard Davis. from Bostonâs Symphony Hall features a dazzling Eb 11. Audio samples are below the video player. 1961, has Ellington performing his own compositions them historically important. In the late-1950s very simple words were added (âBaby, letâs go down to âDukeâs Placeâ,â etc.) Permission & contact Jazz Pirates 2019 Red Wing/Brian Carrick 2008: Button up your overcoat, F: 090328: Jazz Pirates 2014 Jazz Pirates 2009: By(e) and by(e), Eb: 140131: Jazz Pirates/Thomas W 2007 : Bye bye blackbird, F: 171011: Bye bye blues, Bb: 131105: By the river of the roses, Bb . Louis Armstrong. | Print and download C Jam Blues sheet music composed by Duke Ellington arranged for Piano. C Jam Blues / Duke's Place Ellington C C7 C F7 C7 C G7 C7 [G7] C Some Scales: C Major Scale THINGS WORTH THE KNOWING C "Blues" Scale C Chords: C7 C7 F7 6fr F7 G7 8fr G7 Questions? Alto Sax 1. | It’s so simple to learn the melody by ear, and yet it swings so hard that pros still love to jam on it. Songs | Billies Bounce Bb 6. âC Jam Blues.â These recordings have been selected from the. He lays a little boogie woogie on âC Jam Blues.â. Trumpet 4. JazzStandards.com reserves the right to edit or remove any comments at its sole discretion. In G minor, the 4 chord would be C minor. This section shows the jazz standards written by the same writing team. C 16. Louis Armstrongâs All-Stars in 1947 The final chord in typical blues progressions is the 5 chord, also called the dominant. Tenor Sax 1. I have played solid Blues and rock guitar all my life but somehow I find myself in a absurdly good jazz band without the least bit jazz knowledge, if it wasn’t for my voice they would probley toss me out..LOL. Trumpet 3. An absolute must! This swinging trio recording with Ray Brown and Ed Thigpen is unquestionably a highlight. performance by Bigard and superlative bass History Honeysuckle Rose 14. Download and print in PDF or MIDI free sheet music for c jam blues by Duke Ellington arranged by mianseay for Trumpet (In B Flat), Saxophone (Alto), Saxophone (Tenor) (Mixed Quartet) Camden is a working jazz pianist, multi-instrumentalist, and music educator currently living near Boise, ID. | this tune, any musical challenges it presents, or additional background information. 1. Other featured soloists on this all-star workout include Count Basie, Al Grey, Stan Getz, Harry âSweetsâ Edison, Eddie âLockjawâ Davis and Roy Eldridge. Alto Sax 2. Scrapple from the Apple Bb 18. Search C 8. Tenor Sax 2. The song became associated with clarinetist Barney Bigard, who was featured on a 1947 Louis Armstrong version (Satchmo at Symphony Hall). Holman grabs this simple Ellington tune and runs with it. Basically a vehicle for jazz instrumentalists to display their improvisational skills, it is one of those pieces that is far more enjoyable for the player than the listener. The number was introduced in a Soundie short film. Some magical Overview There is solo space for tenor saxophone and, of course, trumpet. It’s so simple, but it SWINGS like crazy! In a rare vocalization of âC Jam Bluesâ Ella scats through the song in a live, 1972 Jazz at the Philharmonic concert in Santa Monica. More at RICHJAZZ.COM. Bass 17. | The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping. The vocal version of the song, here called âDukeâs Placeâ is represented best by the 1961 collaboration between Ellington and Armstrong (The Great Summit: the Master Takes). In our key of G major, that would be C major. First guitar part I had read with real changes. Most noteworthy here is Rahsaan Roland Kirk, whose solo virtually condenses the entire history of jazz saxophone into five powerhouse minutes. âC Jam Bluesâ was formally recorded under that title in January, 1942, for RCA Victor Records. Trombone 2. Worries? About. Biographies Bassist Stewart gets to show off his signature bowing-and-singing solo style at a high level here. Articles with Armstrongâs All Stars. While known for his banjo work, Snowdon picks up guitar on this delightful track that finds him and guitarist Johnson briefly reminiscing before jumping into a pre-war blues rendition of the Ellington piece. K. J. McElrath - Musicologist for JazzStandards.com. Copyright 2005-2020 - JazzStandards.com Eb 7. - Standard 12 bar blues Playalong Jam Track for Piano on 8notes.com Baritone Sax. You have entered an incorrect email address! The session, from April Not only is it a great jam, it’s nostalgic for just about everybody. Eddie De Lange, Duke Ellington and Irving Mills, Duke Ellington, Irving Gordon and Irving Mills, Duke Ellington, Manny Kurtz and Irving Mills, Duke Ellington, Irving Mills and Mitchell Parish, Barney Bigard, Duke Ellington and Irving Mills, Duke Ellington, Johnny Mercer and Billy Strayhorn, Duke Ellington, Irving Mills and Juan Tizol, Duke Ellington, John Latouche and Billy Strayhorn, Harry Carney, Duke Ellington and Irving Mills, Duke Ellington, Don George and Harry James, Duke Ellington, Lee Gaines and Billy Strayhorn, Duke Ellington, Sid Kuller and Paul Francis Webster, Duke Ellington, Irving Mills, Henry Nemo and John Redmond, Duke Ellington, Don George, Johnny Hodges and Harry James. This site uses Akismet to reduce spam. Burgundy street blues, C Burgundy street blues, lyrics: 2004 200205 . Copyright 2005-2020 - Terry mutes his trumpet on this gentle reading of the song. | Eb, C and bass. Eb 15. with Armstrong, however, he had several Bass 5. It Don't Mean a Thing (If It Ain't Got That Swing), âBasically a vehicle for jazz instrumentalists to display their improvisational skills, it is one of those pieces that is far more enjoyable for the player than the listener.â, This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with 44’’’’ D7 G 7 D ’’’’ & ## 5 ’’’’ G7 D7 B7 9 ’’’’ Em 7 A ’’’’ D 7B7 Em7 A C-Jam Blues. This great chart is recorded (1999) on the Azica CD "Swingin' the Blues." moments delight, including the version of solo features, including his own âC Jam C 4. information, Home | Once Hey brother thanks for all the info I have already added this sweet little tune to our list.. Man! Permission & contact information, New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellingtonâs Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. One such occasion Entitled âJam Sessionâ the Soundie was filmed late in 1941 along with four other Ellington numbers. Your comments are welcome, including why you like Bass clef melody is provided and where appropriate there are separate piano parts. C Jam Blues / Duke's Place Ellington Bb D7 Bb G7 D7 Bb A7 D7 [A7] Bb Some Scales: D Major Scale THINGS WORTH THE KNOWING D "Blues" Scale Bb Barney Bigard joined and Armstrongâs easy-going vocal. C 12. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrongâs All-Stars when they recorded âDukeâs Place,â featuring Louis on the vocal, with Ellington in 1961. which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Trombone 1. Theory Yeah man, everyone loves this tune! Pianist Peterson recorded âC Jam Bluesâ a number of times in different contexts. A single riff consisting of the fifth degree of the scale repeated in a syncopated pattern before leaping up to the tonic. | Especially Oscar. An understated, all-star horn section and a rhythm section that features Tyree Glenn on vibes swings this one with the greatest of care. In addition to Ellingtonâs piano, we hear short but compelling solos by Ray Nance, Rex Stewart, Ben Webster, âTricky Samâ Nanton and Barney Bigard. This highly entertaining live recording has Smith fiddling and singing in front of a Danish audience and pianist Kenny Drew playing straight man to his musical hijinks. Eb 3. Instrumental Solo in C Major. A crucial member of the Ellington band for many years, saxophonist Hodges teams up here with the piano genius Earl Hines, a frequent interpreter of Ellington material.
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